🌟 HUGE CONGRATULATIONS TO PRODUCTION DESIGNER LUCIE WHO HAS BEEN LISTED AS A SCREEN DAILY STAR OF TOMORROW 2022 🌟
Lucie’s most recent Feature was #SweetSue directed by #LeoLeigh 🎥
“In the decade since graduating from Bristol’s University of the West of England with a BA in visual culture and an MA in fine art, Red has worked on an eclectic variety of commercials, shorts and features including Molly Manning Walker’s cancer drama The Forgotten C (2020) and Simon Bird’s Days Of The Bagnold Summer (2019). “I always want to be challenged,” she says. “I used to think I wanted to be a lecturer or a teacher, and I realised I get excited by making other people excited by what they’re seeing. I’m trying to push that as far as I can.”
Currently in pre-production on a feature with SpectreVision (which produced Panos Cosmatos’ Mandy), Red is happy with where her hard work is taking her. “Being so creatively diverse, I don’t feel like I’ve been put into just one category,” she says. “I can do hyperreal, I can do serious narrative, I can do comedy. I can’t wait to see what the next few years bring.”
Lucie’s Features include #DaysOfTheBagnoldSummer directed by #SimonBird and #SweetSue directed by #LeoLeigh 💥
Join us in congratulating Lucie on this amazing and well deserved accolade! 👏👏
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#wizzotalent@luciered#productiondesigner#productiondesign#screendaily#staroftomorrow#staroftomorrow2022#congratulations#set#sets#builds#builds#feature#director@screendaily@leoleigh 🎊🏆🎉
🌟 HUGE CONGRATULATIONS TO DIRECTOR OF PHOTOGRAPHY SUSANNE SALAVATI WHO HAS BEEN LISTED AS A SCREEN STAR OF TOMORROW 2022 🌟
“Salavati says the time she spent in non-fiction “had a huge influence on my work. It’s a privileged situation where I get to experience other people’s lives, but it’s also very changeable and demanding. So it taught me to push myself.”
“That proved particularly helpful on Then Barbara Met Alan, a BBC feature based on the true story of disabled artist activists Barbara Lisicki and Alan Holdsworth, scripted by Jack Thorne and 2021 Star of Tomorrow Genevieve Barr. “It was about thinking logistically and creatively about the best way to capture the world of disability, to show their perspective,” says Salavati. “Barbara and Alan were driven by punk and anarchy, so there was a lot of energy, a lot of movement. It became clear that using a tracking dolly was going to be obstructive, and not in the spirit of the film. We used Steadicam, which gave us the freedom to move around, and we ended up shooting on lots of different formats. You never quite know when you’re in archive or recreated footage, and I’m proud of that.”
Susanne’s narrative work includes Drama's #Maryland directed by #BrianHill, #BackToLife (Series 2) directed by #EllaJones and episodes of #Flatshare directed by #ChloëWickes, Features include (Documentary) #WhiteRiot directed by #RubikaShah, #MyFeralHeart directed by #JaneGull and #LoveWithoutWalls directed by #JaneGull 💥
Join us in congratulating Susie on this amazing and well deserved accolade! 👏👏
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#wizzotalent@susisalavati#cinematographer#cinematography#dop#directorofphotography#screendaily#staroftomorrow#staroftomorrow2022#congratulations#feature#director@screendaily@jane.gull 🎊🏆🎉