“In earliest times painting was magical; it was the key to the invisible. In those days the value of a work lay in its powers of conjuration, a power that talent alone could not achieve. Like the shaman, the sibyl and the wizard, the painter had to make himself humble, so that he could share in the manifestation of spirits and forms.”
— Alice Rahon, 1951, Exhibition catalogue, Willard Gallery, New York, 1951
Alice Rahon (née Alice Marie Yvonne Philippot) was born in Chenecey-Buillon, France, on June 8, 1904. After publishing three volumes of poetry, she turned to the visual arts at the age of thirty-six and spent her mature years working almost exclusively as a painter. Rahon died in Mexico City in 1987, a naturalized citizen of Mexico
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📘 https://www.gallerywendinorris.com/artists-collection/alice-rahon
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Her Majesty and the Moon, 1956 Alice Rahon
#gallerywendinorris#alicerahon#womenartists#femaleartist#surrealism#magicrealism#remediosvaro#leonoracarrington#cats#catsofinstagram
🌇 Art history loves milestones that mark the beginnings of new genres, and this is one of the strongest ones. Today we present the painting that started Impressionism—Impression, Sunrise. It became legendary when first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April 1874. It depicts the port of Le Havre, Monet's hometown. The artist claimed that he titled the painting Impression, Sunrise due to his hazy painting style in his depiction of the subject: "They asked me for a title for the catalogue, it couldn't really be taken for a view of Le Havre, and I said: 'Put Impression.'"
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🏛 @museemarmottanmonet_ collection
Impression, Sunrise by Claude Monet 1872 a detail
#museemarmottanmonet#claudemonet#monet#impressionism#art#arthistory#paintingoftheday#arteducation#artmuseum#artinspiration#artlover#dailyart#mood
🏞 #meditativeart
Painted in 1945, Mill Pond is one Maxfield Parrish’s of most commercially successful landscapes and among the most recognizable paintings in the artist’s oeuvre.
‘The most successful pictures seem to be created around a structure of some kind that is immediately grasped at a glance...The thing that I am really sure of is that a successful picture must have strength and simplicity that catch the attention and is comprehended at a glance.’ 📘 @sothebys
🏛 private collection
MILL POND by Maxfield Parrish 1945
Oil on Masonite
#maxfieldparrish#landscapepainting#nature#americanart
🎶 Portrait of Marian Anderson depicts the celebrated opera singer and civil rights activist, who after being denied the opportunity to sing to an integrated audience at Constitution Hall in 1939, went on to perform that same year on the steps of the Lincoln Memorial in front of 75,000 people and an international radio audience of millions. While many photographs and paintings of Anderson portrayed her with a serious demeanor, her expression in Douglas’ painting conveys warmth and friendliness. 📘 @diadetroit
🏛 Wilson A. and Deborah F. Copeland of Detroit collection
Aaron Douglas, Portrait of Marian Anderson, 1940
#mariananderson#aarondouglas#civilrights#opera#operasinger#music#portrait#smile
✨ I love Sargent's works! This was an American artist who had an exquisite lightness in depicting not only royalty and society, but people in general. Indeed, the artist became one of the most sought–after portraitists of the late Victorian era, but he eventually became exasperated by the whim and vanities of prominent sitters. By 1909 he had abandoned conventional portraiture to experiment with more imaginary fields.
Here, we see Sargent's niece, Rose-Marie Ormond.
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🏛 @ngadc collection
Nonchaloir (Repose) by John Singer Sargent 1911
#nationalgalleryofart#johnsingersargent
💤 😴 Celebrate the magic of a solid snooze with Pieter Bruegel the Elder’s The Harvesters high-quality print!
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✨ Agnolo Bronzino was an Italian Mannerist painter from Florence. He was also the artist of the powerful Medici family, who ruled Florence at the time.
Today we present the portrait of the little Bianca, Bia, who was the daughter of Cosimo, born before his marriage in 1539.
In 1560, Francesco Maria II della Rovere’s ambassador to Tuscany, Simone Fortuna wrote in a letter that Cosimo “in his first years as duke, had, by a noblewoman of Florence, a girl who was baptized in the name of His Illustrious Excellence, and called Bia. And the Lady Duchess, finding her in her home, was raising the girl lovingly, as she was born to her husband before she became his wife.”
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🏛 @uffizigalleries collection
Bia de’ Medici by Agnolo Bronzino 1542-1545
#uffizigallery#florence#agnolobronzino#mannerism#renaissance#medici#artgallery#museum#art#arthistory#artoftheday#paintingoftheday#arteducation#artmuseum#artinspiration#artlover#dailyart#instamood#mood