This womanโs exquisite attire indicates her likely wealth and importance. Gold disks decorate the edge of her collar while rubies and emeralds adorn her hair. She wears an extravagant necklace with a large cut diamond and luxurious pearl. The fashion suggests the portrait was made in the 1570s by Alessandro Allori (1535โ1607), who was one of the most prolific and active painters in late 16h century Florence. On his father's death in 1540, the young Alessandro Allori was adopted by Bronzino (1503โ1572), becoming his pupil and a significant disseminator of his elegant Mannerist vocabulary.
It is possibly a representation of Camilla Martelli, mistress and later second wife of the Grand Duke of Tuscany, Cosimo I de'Medici. Unlike other portraits depicting individuals who themselves may have collected art or created a studioli, or private studies, Camilla herself would not have had access to such a study room. However, the Medici family had one of the most celebrated studioli in all of Italy.
Alessandro Allori, Portrait of a Lady, probably Camilla Martelli deโMedici, 1570s, Saint Louis Art Museum, US @stlartmuseum#portraitpainting#femaleportrait#alessandroallori#paintingdetail#allori#femaleportraits#baroqueart#historyofart#arthistory#artoftheday#oldmasters#oldmasterpaintings#16thcentury#15thcentury#neoclassical#classicalpainting#classicart#classicpainting#artdaily#artmuseum#artdetail#artlover#italianart#renaissanceart#renaissance#arthistorydiary
Source: Wikimedia Commons & slam.org